Kendra Preston Leonard is a musicologist and music theorist whose work focuses on women and music in the twentieth and twenty-first centuries; and music and screen history, particularly music and adaptations of Shakespeare. Her work has appeared in The Oxford Handbook of Music and Disability Studies, Gender and Song in Early Modern England, This Rough Magic, Upstart Crow, Early Modern Studies Journal, The Journal of Historical Biography, The Journal of Musicological Research, and Current Musicology, among other journals and collections. She is the winner of many scholarly awards and prizes, including a Harry Ransom Center Research Fellowship, an American Music Research Center Fellowship, the inaugural Judith Tick Fellowship from the Society for American Music, and Yale University’s Beinecke Rare Book and Manuscript Library Thornton Wilder Fellowship in Wilder Studies, and is a frequent invited speaker at symposia, conferences, and workshops. She is the Director of the Silent Film Sound and Music Archive.
Leonard is the 2016 winner of the American Musicological Society’s Janet Levy Award; the 2016 Society for American Music‘s Sight and Sound subvention for her collaborative project with the Silent Film Sound and Music Archive and pianist Ethan Uslan; a 2016 American Music Research Center Fellowship; and a 2016-2017 Harry Ransom Center Research Fellowship in the Humanities. The Silent Film Sound and Music Archive, which she directs, is the recipient of a 2016 GRAMMY Foundation Preservation grant.
Recent and Upcoming Publications, Presentations, and Projects
The Art Songs of Louise Talma (CMS Sourcebooks, 2016).
Article: “Using Resources for Silent Film Music,” Fontes Artis Musicae, Summer 2016.
Article: Listening to the Gaoler’s Daughter,” Cerae, Summer 2016.
Music for Silent Film: A Guide to North American Resources (A-R Editions and the Music Library Association Index and Bibliography Series, 2016).
Leonard’s ORCID is 0000-0003-3005-4344.