Kendra Preston Leonard

Uncategorized

Works in Progress

an update:

 

“Alice Smythe Jay, ‘Tipperary,’ and ‘Yakima’: An Early Case of Forensic Musicology” (article)

“Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism” (long-form article)

“Projection, Erasure, and Recovery: Women in Silent Film Music” (monograph)

“Nostalgia and Cultural Memory in Scoring for The General (1927)” (Society for American music 2018 seminar paper)

Fontainebleau Chansons (lyrics)

Sans Merci (working title; opera libretto about Lili and Nadia Boulanger for composer Jessica Rudman)