Jessica Rudman and I talked about the upcoming (28 April 2018) Hartford Opera Theater and Hartford Independent Chamber Orchestra event “Speaking Her Truth,” featuring the premieres of our Four Songs for Lady Macbeth and Marie Curie Learns to Swim with Women’s Philharmonic Advocacy. Read the conversation here and visit Ticketleap to purchase tickets.
Nadia Boulanger remains a legendary figure in the history of twentieth-century music, and articles on her career pop up online with some regularity. Unfortunately, many of these repeat or contribute to the hagiography of Boulanger, who in reality was far from a saint. I’ve written extensively about Boulanger–called “Mademoiselle” by her students–and the problems inherent […]
I’m delighted to announce that Paul Allen Sommerfeld and I will be chairing a seminar at SAM 2019 in New Orleans on Music & Sound in Horror Media. You will be able to submit for the seminar when the SAM submissions portal opens. Here’s the seminar abstract: This seminar seeks to encourage exploration of the […]
Here are my confirmed professional events this spring: 28 February-4 March: Society for American Music annual meeting, Kansas City 28 March-1 April: Shakespeare Association of America annual meeting, Los Angeles 7 April: AMS-SW Spring meeting, Collin College, McKinney, Texas 28 April: Marie Curie Learns to Swim premiere, Hartford Opera Theater, Hartford, CT 30 April: student workshop […]
I’m delighted to have contributed to the Women Film Pioneers Project, an outstanding resource on women in early film. Here I write about the careers of Hazel Burnett and Alice Jay, two organists who created their own scores and recordings for accompanying silent film, and who were among the widest-recognized women accompanists of the day.