Kyna Morgan of the outstanding Her Film Project interviewed me last week. Read the interview here and check out Her Film Project here and on Twitter at @HerFilmProject.
I’m delighted to have contributed to the Women Film Pioneers Project, an outstanding resource on women in early film. Here I write about the careers of Hazel Burnett and Alice Jay, two organists who created their own scores and recordings for accompanying silent film, and who were among the widest-recognized women accompanists of the day.
I’ll be giving a talk on “Negotiating Problems of Nostalgia: Music for Buster Keaton’s The General,” prior to a screening of the film with live accompaniment by Andrew Simpson on 18 January 2018 in Pollard Hall, room 204, at Mary Washington University. The event, which is open to the public, will begin at 7:30 p.m.
My current schedule is below. I’m always available for guest lectures or workshops, conducted in person or over Skype. 18 October 2017: “Money, Sex, and Organs: Preliminary Research on Women Musicians in the Silent Cinema,” Newberry Library, Chicago. 4:00 p.m., Towner Fellows’ Lounge, 2nd Floor. 8-12 November 2017: American Musicological Society annual meeting, Rochester NY. Co-chair, […]
I’ll be presenting a paper on “Nostalgia and Cultural Memory in Scoring for [Buster Keaton’s] The General (1927)” at the AMS-Midwest meeting, 23-24 September 2017 at Roosevelt University. I’ll be talking about race, post-war depictions of the American South in popular entertainment, the use of Southern-signifying music, and more of current relevance. This is a […]