ARTICLES

“Towards a Works List for Louise Talma,” Fontes Artis Musicae vol. 59, no. 2 (2012:2).

“Rosalind’s Musical Identities in Branagh’s and Doyle’s As You Like It,” Upstart Crow, special edition, ed. Francesca Royster.

BOOK CHAPTERS

“The Lady Vanishes: Vocality and Agency in Cinematic Ophelias,” in The Afterlife of Ophelia, ed. Deanne Williams and Kaara L. Peterson. Routledge, 2012.

“The Use of Early Modern Music in Film Scoring for Elizabeth I,” in Early Modern Women and Music, ed. Leslie C. Dunn and Katherine R. Larson, Ashgate, forthcoming, 2012.

“The Sounds of India in Supple’s Twelfth Night,” in Shakespeare in Bollywood and Beyond, ed. Craig Dionne and Parmita Kapadia, Routledge.

“‘Just Like Romeo and Juliet’: Shakespeare, Satire, and Song,” in Shakespeare Spin-Offs, ed. Amy Scott-Douglass.

PRESENTATIONS

“Elizabeth I’s Performance Spaces: Gender, Rules, and Rule-Breaking,” Mapping Music: The Gendered Soundscapes of Early Modern England workshop, Attending to Early Modern Women Conference, June 21- 23, 2012.

“Hearing the Early Modern: Musicking Elizabeth and Shakespeare,” International Congress on Medieval Studies, 10-13 May, 2012.

Seminar organizer and chair: “Music and Disability,” Society for American Music, 15-18 March 2012.

REVIEWS

Paul Attinello, Janet Halfyard, and Vanessa Knights, Music, Sound, and Silence in Buffy the vampire Slayer, Bulletin of the Society for American Music, forthcoming 2011.